So I’ve joined a fun and supportive blog hop that celebrates independent authors that requires you write one post about anything self-publishing once a month. If you’re interested in reading some of today’s posts or joining up as well, click on the icon above.
I came across a fascinating blog post on Kboards from a best-selling, formally traditionally published author, Elisa Beth Naughton. If you have the time, you can read it for yourself here. Otherwise, I’ll try my best to summarize.
Naughton opened up about the struggles she had when she was traditionally published where she used any meager profit she made for her own books’ publicity and claimed a negative income on her taxes (even being on the best-selling list). She brings up the fact that she was so focused on the prestige of being traditionally published that she was unaware of the poor contract she signed for her books. Many times, authors will trade many of their rights and profits just to say that they’re traditionally published. As soon as she got some of her book titles back, she decided to follow a few of her successfully self-published friends and dove into indie waters. She admits it took some hard work to get her books noticed again, but is now claiming possibly seven figures this year on her income tax from self-publishing alone!
She admits that self-publishing isn’t for everyone (and I’m sure having her name well-known prior to self-publishing helped her immensely), but she makes a great point by saying that she is so glad she writes in an age where authors have these choices. It is so important to realize that self-publishing allows every author that choice.
If you don’t get represented by an agent, you have a choice.
If you don’t get picked up by a publisher, you have a choice.
If you don’t get offered a great contract, you have a choice.
If you don’t make much profit off your traditionally published book, you have a choice.
If you get your books backlisted, you have a choice.
Self-publishing gives us all a choice, even if you do decide to go the traditionally published route. It’s in every author’s best interest to support indies so that they always have a potentially profitable alternative out there (and hopefully publishers will become wary of this and offer better deals to keep their authors happy).
When I was querying agents (and my dream agent actually was interested!) I probably would have accepted anything to just get published. I’m so glad that I did go it on my own for the very reasons that Naughton points out:
“I get to write the books I want to write, the way I want to write them, and I get to release them when I want…not when a publisher can fit me into their schedule. For me, self publishing is a perfect fit and no matter where I go from here, it will definitely be part of my career plan.
Of course, this all seems fabulous and it sounds like I’m making tons of money, doesn’t it? But you have to remember that I wrote for ten years without making a penny. Three plus of which as a published author. If you add up what I’ve made self publishing and divide it by ten years, trust me, it’s not much in the long run. But the growth potential is there, and that’s what keeps me going. There was a time not long ago when I was pretty sure I was going to have to go back to teaching because I wasn’t making any money writing. I was even looking at job postings online, trying to find a science position in my area. Now that’s all changed. I get to keep doing what I love. I get to keep writing the books readers love because of self publishing.”
I’m so happy that Naughton has found such rewarding success in self-publishing, especially after working so hard for all those years. I’m definitely content with my small successes at this point and thank the universe everyday that I had this option available. My series would never have been published and there are many fans that have thanked me for writing them.
Options are always a wonderful thing